We've been working now with computers and education for 30 years computers in developing countries for 20 years and trying to make low-cost machines for 10 years. This is not a sudden turn down the road.
It seems like everything that we see perceived in the brain before we actually use our own eyes that everything we see is coming through computers or machines and then is being input in our brain cells. So that really worries me.
If the machines can take the drudgery out of it and just leave us with the joy of drawing then that's the best of both worlds - and I'll use those computers!
Chinese people themselves they really want change.
The Chinese government wants me to say that for many centuries Tibet has been part of China. Even if I make that statement many people would just laugh. And my statement will not change past history. History is history.
When I was living on the street I would be standing out in front of Grauman's Chinese Theater leaning against my car and signing autographs and nobody had any idea that I was living in it.
We often attribute 'understanding' and other cognitive predicates by metaphor and analogy to cars adding machines and other artifacts but nothing is proved by such attributions.
Not since the steam engine has any invention disrupted business models like the Internet. Whole industries including music distribution yellow-pages directories landline telephones and fax machines have been radically reordered by the digital revolution.
I'm afraid for all those who'll have the bread snatched from their mouths by these machines. What business has science and capitalism got bringing all these new inventions into the works before society has produced a generation educated up to using them!
I am a big popcorn fanatic. I love popcorn. In fact one year for my birthday my husband bought me one of those big popcorn machines like they have in movie theaters.
I like to have Chinese furniture in my home as a constant and painful reminder of how much has been destroyed in China. The contrast between the beauty of the past and the ugliness of the modern is nowhere sharper than in China.
You don't know what the Chinese expect in the way of beauty. The presentation is just a farce. You come into a room filled with 50 people and they don't talk to you. There's very little interaction.
But every great scripture whether Hebrew Indian Persian or Chinese apart from its religious value will be found to have some rare and special beauty of its own and in this respect the original Bible stands very high as a monument of sublime poetry and of artistic prose.
When I say that human beings are just gene machines one shouldn't put too much emphasis on the word 'just.' There is a very great deal of complication and indeed beauty in being a gene machine.
Wushu is a move in Chinese a physical move. An attack. Wushu is like an art.
I like the fact that in ancient Chinese art the great painters always included a deliberate flaw in their work: human creation is never perfect.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.