Don't make music for some vast unseen audience or market or ratings share or even for something as tangible as money. Though it's crucial to make a living that shouldn't be your inspiration. Do it for yourself.

When I sing I feel like when you're first in love. It's more than sex. It's that point two people can get to they call love when you really touch someone for the first time but it's gigantic multiplied by the whole audience. I feel chills.

I played saxophone so I was into jazz. I learned from each audience and each teacher that I had. I can't really tell you any rules or anything but the way I develop my beliefs is really just by personally learning from different situations.

I like working solo and it was a lot of fun joking around with the audience saying things. I'm only just learning how to do certain things.

One thing changes every evening: It's the audience and I'm working my magic. I'm always learning from it.

As an audience member those studio films are fun. I like an adventure tale and I also like to go see something that has more of a social pulse. I like to keep learning and trying new things. And if the scripts are good it doesn't really matter.

The audience upon learning that the real Buffalo Bill was present gave several cheers between the acts.

Medical knowledge and technical savvy are biodegradable. The sort of medicine that was practiced in Boston or New York or Atlanta fifty years ago would be as strange to a medical student or intern today as the ceremonial dance of a !Kung San tribe would seem to a rock festival audience in Hackensack.

Artificial Intelligence leaves no doubt that it wants its audiences to enter a realm of pure fantasy when it identifies one of the last remaining islands of civilization as New Jersey.

I feel audiences are not given enough credit for their intelligence.

So that to me is important that audiences are treated with an amount of respect toward their intelligence. Most Hollywood films don't respect their intelligence.

Advertising must respect the intelligence of its audience and if it does not prompt them to think it will be instantly dismissed.

You mustn't underestimate an audience's intelligence.

I can't see what's wrong about assuming intelligence in your audience and what's bad news about being rewarded for assuming that.

Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.

I've never really had a problem with the imagination level of an audience. They're always smarter and savvier than any studio exec will give them credit for.

Musicals are by nature theatrical meaning poetic meaning having to move the audience's imagination and create a suspension of disbelief by which I mean there's no fourth wall.