I am a sports fanatic and being able to perform at halftime for the fans of the Steelers and the Jets is such a thrill for me.

But one way or another judges perform a very vital function in our society. They have a risky job and they are entitled to security.

The first duty of society is to give each of its members the possibility of fulfilling his destiny. When it becomes incapable of performing this duty it must be transformed.

I don't remember ever deciding to become a performer. I just always was. I began performing by mimicking the performers on the new television that first took the attention away from me as the baby of the household. I continued performing to put a smile on my grandmother's face and always considered her when accepting or declining roles.

I love the live performances and Las Vegas. I also like making films that are being discovered by another generation. Having been a teen idol of the '60s is great because you realize you left your generation with a smile and good memories.

The East Germans first used biomechanics. This meant that rather than guessing about technique and form they could apply changes to athletic performance based on science.

I wanted to be a dancer my whole life. And when I gave it up to act I always had a really sad part of myself that missed it and missed performing and missed being physical in that way.

Before I left for Germany I had gotten accepted to the performing arts high school in New York which was a big dream of mine. And having to leave that was very sad for me.

You put a song on the record or on tape and you stop singing it. You just don't sit around and sing it anymore unless you're performing. That's kind of sad.

When I look back at those pictures of my mother performing - and listen to her recordings - it makes me sad to think that all of that joy she found in her work came to an end. I wish she hadn't had to make that sacrifice even if it was for the benefit of my father and siblings and me.

If we perform the romantic repertoire we need more musicians.

Some have called we rock and roll performers who never retire 'troubadours.' I enjoy this misnomer immensely. While there are many differences between me and my distant predecessors in L'Occitane I do believe there is a lineage that connects us of the last 70 years with those romantic singers of the High Middle Ages.

I think opera has gained a kind of glamorous appeal. It's a live performance that aligns all of the arts and when it is represented in the media in film in particular it is presented as something that is really a special event whether it's a great date or something that's just hugely romantic.

The whites come to applaud a Negro performer just like the colored do. When you've got the respect of white and colored you can ease a lot of things.

Ragtime has about the same amount of respect as comics. And in a way they're similar art forms. Ragtime is highly compositional and the emotion in the music is built in whereas in jazz a lot of that emotion comes from the way it's performed.

In order to gain the respect of your players in the locker room you can't just perform on Saturday. You have to do it consistently during practices meetings and in the weight room.

Bad acting comes in many bags various odors. It can be performed by cardboard refugees from an Ed Wood movie reciting their dialogue off an eye chart or by hopped-up pros looking to punch a hole through the fourth wall from pure ballistic force of personality like Joe Pesci in a bad mood. I can respect bad acting that owns its own style.