My dad taught me to play bass. He's a bass player he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him and whoever didn't show up for rehearsal that day I would take their spot.

I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.

I love the rehearsal process in the theatre and the visceral sense of contact and communication with a live audience.

What looks absolutely fabulous in rehearsal can fall flat in front of an audience. The audience dictates what you do or don't change.

For me a page of good prose is where one hears the rain and the noise of battle. It has the power to give grief or universality that lends it a youthful beauty.

It was amazing that during rehearsals without any of the costume on the character was there complete. It just happened. Half the time I didn't know I was doing it.

As a kid who wasn't into sports at school I felt almost alienated at times whereas in the theatre community there was this amazing sense of camaraderie. Early on we would go to rehearsals with my dad and I was like the mascot for the backstage crew. That was a big part of my childhood so I dreamed of one day doing a play in London.

When we're on set we kind of joke around and when we're rehearsing we change up the scenes and make each other laugh. We lighten up the mood. The blooper reel is going to be amazing on 'New Moon.'

The person who tries to live alone will not succeed as a human being. His heart withers if it does not answer another heart. His mind shrinks away if he hears only the echoes of his own thoughts and finds no other inspiration.