I have two dream roles: One would be a biopic of someone I admire and respect and the other one would be some sort of action drama film similar to a 'Bourne Identity.' I just really want to do an intelligent action drama film.

It is the sincerest thing I have written caught by the drama of a soul struggling in the contrary toils of love and religion - death brought them into harmony.

Religion enabled society to organise itself to debate goodness just as Greek drama had once done.

First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. Like he's got this whole relationship with his mama and he sings this song 'Mama Says.'

Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.

I am a happy person and I choose to be a positive person. I think some people think my life has been tragic and there have been these horrible dramas but things really have been and are fine.

I have long been a supporter of the Head Start program because each and every year I witness the dramatic positive impact that early intervention services have on children's lives in my congressional district.

So many reality shows are scripted and create this fake drama and it's a bunch of bull. We wanted to do something real and something wholesome and something that's focused on positive family values.

We read too much Shakespeare at school and view our parliamentary politics as dynastic drama in which an impatient crown prince frets at his long subordination and begins to scheme for the throne he knows he merits was promised and has earned.

What does that represent? There was never any question in plastic art in poetry in music of representing anything. It is a matter of making something beautiful moving or dramatic - this is by no means the same thing.

Any long work in which poetry is persistent be it epic or drama or narrative is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

In my opinion the most significant works of the twentieth century are those that rise beyond the conceptual tyranny of genre they are at the same time poetry criticism narrative drama etc.

Religious poetry civic poetry lyric or dramatic poetry are all categories of man's expression which are valid only if the endorsement of formal content is valid.

I don't think rap really fits in to 'American Idol' in the sense that I believe rap is an art form in itself more akin to poetry more akin to drama if you will.

Cut quarrels out of literature and you will have very little history or drama or fiction or epic poetry left.

The drama is complete poetry. The ode and the epic contain it only in germ it contains both of them in a state of high development and epitomizes both.

In middle school I really didn't have music but in high school I remember taking a lot of choir and drama.