Second this epic tale allows the audience to actually listen to the Native Americans and receive their wisdom. Spielberg conveys the respect for Native Americans that is normally lacking in Western films.

I had found English audiences highly satisfactory. They are the best listeners in the world. Perhaps the music-lovers of some of our larger cities equal the English but I do not believe they can be surpassed in that respect.

I'm very conscious that I want the dance audience to respond and respect what I'm doing so I'm always very true to the music and I honour the music in the way I see it - I don't mess around with the music.

If you respect the audience enough they can take onboard many things.

I like cinema audiences. I respect them and I talk to them just like I would anybody I know.

No it's interesting to remake a film for the contemporary audience today. I think it's a good idea it needs to respect the original idea. Don't just take the title and change everything else.

Plus you know when I was young there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing and I always also believed that it released the audience.

Then if your movie clicks with real audiences you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.

The audience that I try to reach are members of what I call the church alumni association. Now they are people who have not found in institutional religion a God big enough to be God for their world.

I have sung for Americans of every political persuasion and I am proud that I never refuse to sing to an audience no matter what religion or color of their skin or situation in life.

The relationship with a live audience seems to me to count for more.

As much as the mystery element is all a lot of fun when you do go to 'Edwin Drood ' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.

You can't be a casual observer of something humorous - you have to engage you have to find it funny for the relationship between actor and audience to work.

Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.

You've got to honor your relationship with your audience - that they sit down because they want to be entertained. And that doesn't mean you can't provoke them and antagonize them and challenge them in the course of the entertainment as long as you keep the entertainment part of the equation alive.

Relationship movies are often made for a female audience.

The relationship between the media owner their relationship isn't strictly with people and audiences. It's also with advertisers and that's the most relationship in radio in fact it pays the bills.