I like things that are kind of eclectic when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance where the ancient bangs up against the contemporary. It has a touch of everything. That's my style and that's what my work is about.

Information and inspiration are everywhere... history art architecture everything an illustrator needs. Europe is after all the land that has generated most of the enduring myths and legends of Western culture.

That Moorish architecture is all over the place of course. It affects me everywhere I see it as it does so many people. But Brand Library was a special place to me and I know I've paid homage to it many times in my drawings.

Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.

If you're into architecture and you're from the West everything is hors d'oeuvres for working to rebuild the Temple. Ultimately you're led there. You can't escape it.

I take a lot from everywhere. I take from music architecture novels and plays. Anywhere that hits you.

I studied architecture in New York. So really I was very moved like everyone else to try to contribute something that has that resonance and profundity of it means to all of us.

Every one who has a heart however ignorant of architecture he may be feels the transcendent beauty and poetry of the mediaeval churches.

I mean certainly writing painting photography dance architecture there is an aspect of almost every art form that is useful and that merges into film in some way.

Every time a student walks past a really urgent expressive piece of architecture that belongs to his college it can help reassure him that he does have that mind does have that soul.

Every man's work whether it be literature or music or pictures or architecture or anything else is always a portrait of himself.

Architecture has recorded the great ideas of the human race. Not only every religious symbol but every human thought has its page in that vast book.

Architecture tends to consume everything else it has become one's entire life.

Every building is a prototype. No two are alike.

Great buildings that move the spirit have always been rare. In every case they are unique poetic products of the heart.

It was very hard for all of us. It's still very hard. The anniversary of his death just passed and every single one of his friends still after all these years... it's unbelievable.

It is a matter of public shame that while we have now commemorated our hundredth anniversary not one in every ten children attending Public schools throughout the colonies is acquainted with a single historical fact about Australia.