In the late 1990s some of the worst terrorist atrocities in the world were what the Turkish government itself called state terror namely massive atrocities 80 percent of the arms coming from the United States millions of refugees tens of thousands of people killed hideous repression that's international terror and we can go on and on.

The oppressed are allowed once every few years to decide which particular representatives of the oppressing class are to represent and repress them in parliament.

My name became known because I was one might say accidentally the target of state repression and because so many people throughout the country and other parts of the world organized around the demand for my freedom.

I like repressed characters. That gives me a lot of freedom to make a lot of different choices through subtleties.

As repressed sadists are supposed to become policemen or butchers so those with an irrational fear of life become publishers.

I heard so many stories from Gaomi's peasants that I had an irrepressible urge to write them down. Today Gaomi's peasants know that they have become famous around the world through my writings but I think they are a little puzzled by this.

After the desperate years of their own war after six years of repression inside Spain and six years of horror in exile these people remain intact in spirit. They are armed with a transcendent faith they have never won and yet they have never accepted defeat.

Now they have come to the place where their faith can no longer feed on the bread of repression and violence. They ask for the bread of liberty of public equality and public responsibility. It must not be denied them.

I am not ridiculing verbal mechanisms dreams or repressions as origins of poetry all three of them and more besides may have a great deal to do with it.

I believe dreams represent the purest form of fantasy we unleash through our subconscious. They represent the truest freedom we can experience. Totally unrepressed and totally creative.

And I think my sexuality was heavily repressed by the church by the you know the design of the mortal sins.

Teachers believe they have a gift for giving it drives them with the same irrepressible drive that drives others to create a work of art or a market or a building.

If repression has indeed been the fundamental link between power knowledge and sexuality since the classical age it stands to reason that we will not be able to free ourselves from it except at a considerable cost.