I mean if you have to wake up in the morning to be validated by the editorial page of the New York Times you got a pretty sorry existence.

I never heard of an old man forgetting where he had buried his money! Old people remember what interests them: the dates fixed for their lawsuits and the names of their debtors and creditors.

We've got activists all across the country like the members of the Million Mom March organization some of their leaders are here tonight. We're phone banking congressional offices and pursuing editorial boards.

I had always loved to write and my mom was my editor for my school papers.

In my role as Wikileaks editor I've been involved in fighting off many legal attacks. To do that and keep our sources safe we have had to spread assets encrypt everything and move telecommunications and people around the world to activate protective laws in different national jurisdictions.

The advertisements in a newspaper are more full knowledge in respect to what is going on in a state or community than the editorial columns are.

Suddenly the whole imagination of writing and editorial and newspaper and all these presumptions about who am I reading this and who else other people may be and all that it's so grimly brutal!

In the beginning we had a great deal of freedom and Jerry wrote completely out of his imagination - very very freely. We even had no editorial supervision to speak of because they were in such a rush to get the thing in before deadline. But later on we were restricted.

I am proud and more than a little excited to be asked to work with Faber in an editorial capacity. It is my dearest hope that we will produce some fantastic books together.

I think I'm becoming more relaxed in front of a camera. I suppose I'll always feel slightly more at home on stage. It's more of an actor's medium. You are your own editor nobody else is choosing what is being seen of you.

The essays in The Great Taos Bank Robbery were my project to win a Master of Arts degree in English when I quit being a newspaper editor and went back to college.

Those who write the editorials and those who write the columns they simply are unaccountable. They're free to impose their cultural politics in the name of freedom of the press.

It's all about who's where on the food chain. When I'm the story editor I expect my writers to follow my vision. When I'm working for another editor I'm obliged to follow their vision.

I was getting a lot of editorial as in lots of pages in 'Vogue ' but it's far more important to get your dresses on the back of a famous person. Charlotte Rampling in Bruce Oldfield. That sells.

There were all us baby boomers who had a grammar school education started to learn then went on the pill the whole thing and so there are today a lot more women writers editors producers and so a lot more women's stories. God the BBC's practically run by women.

Usually I design the lighting and when I have the physical set there I'm not good at going out loosely and saying 'Do you what you want give it to the editor and he'll figure it out.' I physically then walk on with the actors and I say 'Let's walk until you guys feel the space works for you and tell me when all that happens.'

I got that experience through dating dozens of men for six years after college getting an entry level magazine job at 21 working in the fiction department at Good Housekeeping and then working as a fashion editor there as well as writing many articles for the magazine.