You know how it is with writing. You just write what you want to write. There's no way to predict what is good or bad. You just do what you think is funny and either it works or you're finished. It's impossible to predict anything.

I love Charlie Billy Burke's character. Writing for him is so spectacular he's so funny and wry and every scene he's in he just takes. There's a scene in 'Eclipse' where Bella tells him she's a virgin and it's the funniest most awkward scene I've ever seen on film.

We've got a bunch of new writers now who tell me they grew up watching The Simpsons. It's bizarre and they're writing some very funny stuff.

So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.

No writing musicals is the hardest thing in the world. And it was really funny because I remember when the South Park movie came out there were some critics that said 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'

I'm writing a book. I've got the page numbers done.

I think romance is friendship and attraction sort of meeting together and that does influence what I'm writing a lot. I try to establish the attraction obviously but I also think it's important to show the characters having actual conversations about things other than their feelings for each other - and to develop their friendship on the page.

People ask me if I ever thought of writing a children's book. I say 'If I had a serious brain injury I might well write a children's book' but otherwise the idea of being conscious of who you're directing the story to is anathema to me because in my view fiction is freedom and any restraints on that are intolerable.

You have an absolute freedom in Mexican writing today in which you don't necessarily have to deal with the Mexican identity. You know why? Because we have an identity... We know who we are. We know what it means to be a Mexican.

When people talk of the freedom of writing speaking or thinking I cannot choose but laugh. No such thing ever existed. No such thing now exists but I hope it will exist. But it must be hundreds of years after you and I shall write and speak no more.

What I used to do between writing fits was feed my kids ride my horse and go shopping for cat and dog food.

When I'm writing my neural pathways get blocked. I can't read. I can barely hold a conversation without forgetting words and names. I wish I could wear the same clothes and eat the same food each day.

The primary requisite for writing well about food is a good appetite. Without this it is impossible to accumulate within the allotted span enough experience of eating to have anything worth setting down.

If the first requisite for writing well about food is a good appetite the second is to put in your apprenticeship as a feeder when you have enough money to pay the check but not enough to produce indifference of the total.

Fairness forces you - even when you're writing a piece highly critical of say genetically modified food as I have done - to make sure you represent the other side as extensively and as accurately as you possibly can.

I've published one book before and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany about fitness.

I've been writing a lot I've a few projects I'm trying to finance I do some acting I do some directing... Apart from that if I could get lower that a ten handicap on my golf game I'd be thrilled.