Outside of a dog a book is a man's best friend. Inside of a dog it's too dark to read.

I've just finished reading a book about the brilliant Margaret Rutherford. She wasn't a beauty but inside she was absolutely blazing and passionate about her work. She's one of those life-affirming characters.

Are we changing the idea of what beauty is? Let's hope so. I'm not the typical Hollywood beauty. Let's hope we're looking at the insides of people a little more.

Beauty comes from the inside.

Once you go inside and weed through the muck you will find the real beauty the truth about yourself.

Beauty is not something you can count on. Usually when people say you are beautiful it is when there is a harmony between the inside and the outside.

People often say that 'beauty is in the eye of the beholder ' and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look including inside ourselves.

I believe that children are our future. Teach them well and let them lead the way. Show them all the beauty they possess inside.

Beauty is how you feel inside and it reflects in your eyes. It is not something physical.

Outside museums in noisy public squares people look at people. Inside museums we leave that realm and enter what might be called the group-mind getting quiet to look at art.

I think that one's art is a growth inside one. I do not think one can explain growth. It is silent and subtle. One does not keep digging up a plant to see how it grows.

Riding a race bike is an art - a thing that you do because you feel something inside.

What's fascinating about D.C. the exteriors are these elaborate structures this gorgeous architecture and beautiful stonework and then you go inside and it's crap-looking - apart from the White House which is beautiful.

You might say that when you step inside you're entering a honorific space but that's something totally different than experiencing it. And in architecture the experience comes first. That has the deepest effect on us.

Japanese traditional architecture is created based on these conditions. This is the reason you have a very high degree of connection between the outside and inside in architecture.

For a long time I thought I could deal with my anger and hostility on my own. But I couldn't. I denied that it had affected me and yet I was so frantic on the inside with other people: I needed to be constantly reassured.

I had a lot of anger inside me and that came out at times that were not particularly advantageous to me career-wise.