It took me twenty years to get Steven Parrino's work. From the time I first saw his art in the mid-eighties I almost always dismissed it as mannered Romantic formulaic conceptualist-formalist heavy-metal boy-art abstraction.
Close contact between science and the practice of collective farms and State farms creates inexhaustible opportunities for the development of theoretical knowledge enabling us to learn ever more and more about the nature of living bodies and the soil.
