I mean Britain is a country of successful Muslim businesspeople teachers and educators journalists. So we have to say very strongly that the two million plus Muslims in Britain the vast bulk of them make a huge contribution to our society and they actually make it the vibrant society it is.
That's what the Romney plan is all about how to get jobs created how to get this debt and deficit under control how to revive small businesses so we can create jobs and how to bring growth and opportunity to society instead of this class warfare instead of speaking to people like they're stuck in some class or station in life.
There's no damn business like show business - you have to smile to keep from throwing up.
Tact and diplomacy are fine in international relations in politics perhaps even in business in science only one thing matters and that is the facts.
Neither science nor the politics in power nor the mass media nor business nor the law nor even the military are in a position to define or control risks rationally.
When I started in the business there was a thing called adult fantasy but nobody quite knew what it was and most publishers didn't have an adult fantasy list. They had science fiction lists which they stuck a little bit of fantasy into.
The thing that interests me least about the radio business is the radio business. But I've had to learn a little bit about it. It's not rocket science: You get ratings that's good.
We're losing track of the vastness of the potential for computer science. We really have to revive the beautiful intellectual joy of it as opposed to the business potential.
What business has science and capitalism got bringing all these new inventions into the works before society has produced a generation educated up to using them!
So war is an extremely sad business because the majority of people don't want to be in it.
I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So for me I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.
The sad thing about any business I suppose but in mine you see it particularly is that you're always asked to do what you've already done.
With the other fellow actors who have gone astray I think it's sad that society wants to label the business as doing this to people. It's really not true.
I heard this music coming out of the radio and it was 'Ain't Nobody's Business.' It got me. I thought 'I can do this.' I decided just like that. No romantic story.
More generally I made an effort to leave out things that weren't relevant to the main narrative themes of the book namely that there were two sides to Steve Jobs: the romantic poetic countercultural rebel on one side and the serious businessperson on the other.
Other bands gave us lip service but when it came down to it they kind of backed off. That was a little disheartening. But I respect them. That's their business.
You respect all of these people that you know in the business as actors. And they sort of turn around and say we really like your work. It's a nice acknowledgment.